Because Ethereum NFT musician and artist Jimmy Edgar is skeptical of music NFTs

Because Ethereum NFT musician and artist Jimmy Edgar is skeptical of music NFTs

For musician and visual artist Jimmy Edgar, NFTs are intangible, but that’s not a bad thing.

In the world of music, Edgar has worked with the likes of Vince Staples, Charli XCX, Miguel, Machinedrum and remixed Lady Gaga’s “Babylon”. But he has also branched out on his own with NFTs.

Edgar is releasing a Ethereum NFT collection on 11 August called OXYGEN, which consists of 13 works of art that play with the viewer’s conception of the immaterial, liquid, aerial and consumerist symbols of adulthood.

“Through a metaphysical process that Jimmy coined ‘digital condensation’, the imagination solidifies as literal objects,” reads a press release.

The NFTs will be exhibited at the Vellum LA NFT gallery in a solo show in Los Angeles from August 11 to September 11 and will also be sold on the NFT Marketplace Foundation. Alice Scope and Sinziana Velicescu curated the exhibition.

NFT—Unique blockchain tokens that indicate ownership — are linked to the digital art they authenticate. Edgar is comfortable with abstract concepts of blockchain and digital tokens in part because the OXYGEN NFTs deal so directly with the idea of immateriality and potential changes in the state of matter.

“I see Ethereum as a layer of the medium of art,” he said Decrypt in an interview, adding that Ethereum’s NFTs essentially function as “a super futuristic certificate of authenticity” for digital art.

BLOW DRYER, an NFT from Edgar’s OXYGEN collection. Edgar told Decrypt that Dyson products “symbolize this ascension to adulthood”. Image: Jimmy Edgar.

Like the OXYGEN collection, the NFT collections previously released by Edgar OBJECT and OPTIONZ also incorporate 3D rendered imagery, surrealist physicality, punchy color shades, and sometimes draw inspiration from artist Jeff Koons.

“There’s always some humor in my art,” Edgar said of his work. “There’s always a bit of sarcasm.”

Edgar first joined NFTs in early 2021. His friends in the music industry were excited about the potential of NFTs and Edgar quickly joined the idea but wanted to apply it to visual art.

“My entire life basically exists in the digital realm,” he said, reflecting on why digital art is so important to him.

And immateriality – the idea that something can exist as a “non-object” without physicality – does not devalue NFTs for Edgar. Instead, he sees it as a part of the evolution of thought and visual art and the intangibility of digital resources is a theme explored in his work of him.

“We are a bit like this generation that is passing into the immaterial: we are increasing in size and becoming more immaterial,” he said. “I have a lot of patience and belief in cryptocurrency as a digital medium.”

EPOXY ONE, an NFT from Edgar’s OXYGEN collection. Image: Jimmy Edgar.

When it comes to music, Edgar sees songs as invisible sculptures.

“I’ve always seen music as a sculpture in a way,” he shared. “Music is somehow irrelevant in the way you don’t see it, hear it and feel it.”

While he sees immense potential for visual arts NFTs, Edgar doesn’t think the same about current NFT applications for music, so don’t expect any of his songs to be released on the NFT music platform. Real or elsewhere soon.

“I’ve seen, you know, a lot of chatter and hype about musical NFTs, but I’m extremely skeptical about ditching NFT songs. I just feel like the music is so devalued right now that it’s not really relevant, it doesn’t really make sense, “she said.

But Edgar, whose musical background is mainly in DJing and production, thinks that musical NFTs could work when viewed as community assets.

“For NFTs to work with music in the future, I envision a platform where musicians are able to make music, produce sounds, trade them, sell them, collect them and create a new community.”

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